Sid comes back in Suhana's life

A changed Sid aka Mohit Malhotra is back to woo Suhana again in Star Plus serial Sasural Genda Phool.

The viewers of Star Plus loved serial Sasural Genda Phool who have been enjoying the cute, naughty love and fight relationship between Ishaan (Jai Soni) and Suhana (Ragini Khanna) will have to give a halt and get ready to view a new angle in between their chemistry because very soon Sid aka Mohit Malhotra will be back in Suhana's life.

According to our source, "Sid who was very much in love with Suhana had refused to get married to her because his carrier was his first priority and so he left her by saying that she is not a marriage material; which indirectly lead Suhana to get married to Ishaan so that she can prove Sid wrong. But now that Sid has realized that his love for Suhana is deeper than his ambition of doing well in his carrier so he is back with an apology and get Suhana back in his life and Ishaan having the knowledge of the same as usual will tackle the situation calmly."

When contacted, Mohit Malhotra told us, "Yes Sid is coming back in Suhana's life and he will try to get her back but to in order to know Suhana's reaction on the same you need to watch the show. The character of Sid is on and off in the show."   

Sid comes back in Suhana's life

A changed Sid aka Mohit Malhotra is back to woo Suhana again in Star Plus serial Sasural Genda Phool.

The viewers of Star Plus loved serial Sasural Genda Phool who have been enjoying the cute, naughty love and fight relationship between Ishaan (Jai Soni) and Suhana (Ragini Khanna) will have to give a halt and get ready to view a new angle in between their chemistry because very soon Sid aka Mohit Malhotra will be back in Suhana's life.

According to our source, "Sid who was very much in love with Suhana had refused to get married to her because his carrier was his first priority and so he left her by saying that she is not a marriage material; which indirectly lead Suhana to get married to Ishaan so that she can prove Sid wrong. But now that Sid has realized that his love for Suhana is deeper than his ambition of doing well in his carrier so he is back with an apology and get Suhana back in his life and Ishaan having the knowledge of the same as usual will tackle the situation calmly."

When contacted, Mohit Malhotra told us, "Yes Sid is coming back in Suhana's life and he will try to get her back but to in order to know Suhana's reaction on the same you need to watch the show. The character of Sid is on and off in the show."   

Photo of the Day: Neil Nitin Mukesh and Deepika Padukone

Check out today's photo of the day featuring Neil Nitin Mukesh and Deepika Padukone

Bollywood actor Neil Nitin Mukesh and Deepika Padukone at the press meet of his upcoming flick "Lafangey Parindey" at Yashraj Studios.

Add caption

Photo of the Day: Neil Nitin Mukesh and Deepika Padukone

Check out today's photo of the day featuring Neil Nitin Mukesh and Deepika Padukone

Bollywood actor Neil Nitin Mukesh and Deepika Padukone at the press meet of his upcoming flick "Lafangey Parindey" at Yashraj Studios.

Add caption

Amisha's The Man!

She may not be appearing on the big screen anytime soon, but actress Amisha Patel promises ...

She may not be appearing on the big screen anytime soon, but actress Amisha Patel promises to entertain many fans as she appears in the popular magazine, The Man.

The October issue will showcase the actress exactly two years after her last cover shoot, where she posed for French Bridal Wear on Verve Magazine.  However, this time Amisha has pulled out all the stops to showcase a bolder self with a risqu cleavage revealing dress.

The magazine promises to talk about her new look and apparently has revealed a lot of the personal life of the actress.  Amisha follows fellow co-stars Kareena Kapoor, Neha Dhupia, Riya Sen and Sherlyn Chopra to pose for the magazine.

Amisha's The Man!

She may not be appearing on the big screen anytime soon, but actress Amisha Patel promises ...

She may not be appearing on the big screen anytime soon, but actress Amisha Patel promises to entertain many fans as she appears in the popular magazine, The Man.

The October issue will showcase the actress exactly two years after her last cover shoot, where she posed for French Bridal Wear on Verve Magazine.  However, this time Amisha has pulled out all the stops to showcase a bolder self with a risqu cleavage revealing dress.

The magazine promises to talk about her new look and apparently has revealed a lot of the personal life of the actress.  Amisha follows fellow co-stars Kareena Kapoor, Neha Dhupia, Riya Sen and Sherlyn Chopra to pose for the magazine.

Kaif family to rule B-Town!

The aspiring actress has studied acting in New York and has been spotted with ...

Kat seems to be playing the big sister to the T as she gears up to launch sister Isabel in Bollywood!

The aspiring actress has studied acting in New York and has been spotted with Kat in many B-Town events. She was originally the hot favourite to play the lead opposite Salman Khan in Veer before those rumours were squashed when Zarine Khan was finalized.

But whilst earlier it seemed that Salman would step up to help out his saali, the sometimes-hot-sometimes-cold relationship between him and beau Katrina has meant that he probably won't be helping Isabel with the transition in to Bollywood.

However the actress has said that she hopes to be as big of a star as her elder sister and will officially be making her debut in Kat's home production, rumoured to be directed by Farah Khan herself!

Traditionally Bollywood has only really favoured one sibling.  So will Isabel be as successful as Kat, or will she simply fade into the background? That, our dear friends, only time will tell!

Kaif family to rule B-Town!

The aspiring actress has studied acting in New York and has been spotted with ...

Kat seems to be playing the big sister to the T as she gears up to launch sister Isabel in Bollywood!

The aspiring actress has studied acting in New York and has been spotted with Kat in many B-Town events. She was originally the hot favourite to play the lead opposite Salman Khan in Veer before those rumours were squashed when Zarine Khan was finalized.

But whilst earlier it seemed that Salman would step up to help out his saali, the sometimes-hot-sometimes-cold relationship between him and beau Katrina has meant that he probably won't be helping Isabel with the transition in to Bollywood.

However the actress has said that she hopes to be as big of a star as her elder sister and will officially be making her debut in Kat's home production, rumoured to be directed by Farah Khan herself!

Traditionally Bollywood has only really favoured one sibling.  So will Isabel be as successful as Kat, or will she simply fade into the background? That, our dear friends, only time will tell!

RED ALERT

In most Hindi films, the first thing you notice at the very start is a disclaimer which states that the film is a work of fiction and bears no resemblance to any person living or dead. But RED ALERT - THE WAR WITHIN admits that it's based on a real story. Even otherwise, the issue it dares to portray -- the Naxalite movement -- is topical, piping hot and an issue that has been dominating the front pages of newspapers for quite some time now.
Come to think of it, who'd be interested in knowing what happened in the life of a poor villager, living a hand to mouth existence in a hamlet in Andhra Pradesh? Aren't these stories covered on news channels and forgotten the next day itself?

Write your own movie review of Red Alert - The War Within

But the written material [screenplay: Aruna Raje] of RED ALERT - THE WAR WITHIN is so powerful and the execution of the subject so rivetting that you can't help but keep your eyes wide open as the story unfolds. You gradually realize that you aren't merely watching a film on the Naxal movement, but also the heart-wrenching story of a simpleton who gets embroiled in a mess only because he wants to feed his family and send his kids to school.

Final word? Give this realistic film a dekho. It's worth it!


RED ALERT - THE WAR WITHIN tells the story of Narsimha [Suniel Shetty], a farm labourer, who desperately needs money to fund the education of his children. He suddenly finds himself in the midst of Naxalites, when he goes to deliver the food in the jungles. From being a mere cook to actually training in weapons to being involved in shootouts and kidnapping, Narsimha finds himself in the thick of life he had never bargained for. A confrontation with the group leaders turns his life upside down; he is now on the run from both law and the militants.


Almost a decade ago, LAAL SALAAM [2002], starring Nandita Das and Sharad Kapoor, tackled the Naxal movement quite effectively. RED ALERT - THE WAR WITHIN is real as well and though it stars well-known stars who're known for their work in hardcore masala films, immense care has been taken to present them as characters, instead of capitalising on their star status. This is evident at the commencement of the film itself, when Suniel Shetty, who has played a toughie in film after film, runs for cover and loses consciousness when the cops and Naxals indulge in gunfire. He's as helpless as you and I would be, if caught in a hazardous sitaution like that. That's not all, even Sameera Reddy is minus makeup and as shattered as any woman would be, after being gang-raped.


The characters apart, RED ALERT - THE WAR WITHIN keeps you engrossed in most parts, more so towards its second hour. However, its ending, talking strictly in terms of impact, isn't as strong and impactful as the rest of the film.


RED ALERT - THE WAR WITHIN is director Ananth Narayan Mahadevan's best work to date. It overshadows his previous works and proves that he has genuinely evolved into a fine storyteller. His handling of the difficult subject -- a complete contrast to what he has attempted earlier -- is simply first-rate. Aruna Raje's screenplay is watertight, save for the climax that tends to get predictable. Action scenes [Allan Amin] are as real as real can be. K. Rajkumar's cinematography is top notch. It must've been so tough to shoot this film in dense forests!


Every actor in RED ALERT - THE WAR WITHIN delivers a splendid performance. Suniel Shetty delivers his most sensitive, most amazing performance that can easily be called his career-best. It makes you realize that there's a reservoir of talent that hasn't been tapped to the optimum. Sameera Reddy is a complete revelation, a complete shocker. She leaves a hammer-strong impact. Like always, Seema Biswas is excellent, while Ayesha Dharkar is supremely efficient. Ashish Vidyarthi is outstanding. Why don't we see more of him these days?


Gulshan Grover leaves a mark. Bhagyashree is effective. Makrand Deshpande underplays his part very well. Zakir Hussain is super. Aditya Lakhia is perfect. Sunil Sinha and Ehsaan Khan are good. Vinod Khanna, in a brief role, and Naseeruddin Shah, in a lone sequence, are superb.


On the whole, RED ALERT - THE WAR WITHIN is a well-made film that portrays realism effectively. It may not lure the audiences in hordes or set the box-office afire, like a typical entertainer generally does. Nonetheless, it will leave a strong, indelible impression on those watching it. Watch it for the sake of encouraging thoughtful, relevant and truly scorching content!

RED ALERT

In most Hindi films, the first thing you notice at the very start is a disclaimer which states that the film is a work of fiction and bears no resemblance to any person living or dead. But RED ALERT - THE WAR WITHIN admits that it's based on a real story. Even otherwise, the issue it dares to portray -- the Naxalite movement -- is topical, piping hot and an issue that has been dominating the front pages of newspapers for quite some time now.
Come to think of it, who'd be interested in knowing what happened in the life of a poor villager, living a hand to mouth existence in a hamlet in Andhra Pradesh? Aren't these stories covered on news channels and forgotten the next day itself?

Write your own movie review of Red Alert - The War Within

But the written material [screenplay: Aruna Raje] of RED ALERT - THE WAR WITHIN is so powerful and the execution of the subject so rivetting that you can't help but keep your eyes wide open as the story unfolds. You gradually realize that you aren't merely watching a film on the Naxal movement, but also the heart-wrenching story of a simpleton who gets embroiled in a mess only because he wants to feed his family and send his kids to school.

Final word? Give this realistic film a dekho. It's worth it!


RED ALERT - THE WAR WITHIN tells the story of Narsimha [Suniel Shetty], a farm labourer, who desperately needs money to fund the education of his children. He suddenly finds himself in the midst of Naxalites, when he goes to deliver the food in the jungles. From being a mere cook to actually training in weapons to being involved in shootouts and kidnapping, Narsimha finds himself in the thick of life he had never bargained for. A confrontation with the group leaders turns his life upside down; he is now on the run from both law and the militants.


Almost a decade ago, LAAL SALAAM [2002], starring Nandita Das and Sharad Kapoor, tackled the Naxal movement quite effectively. RED ALERT - THE WAR WITHIN is real as well and though it stars well-known stars who're known for their work in hardcore masala films, immense care has been taken to present them as characters, instead of capitalising on their star status. This is evident at the commencement of the film itself, when Suniel Shetty, who has played a toughie in film after film, runs for cover and loses consciousness when the cops and Naxals indulge in gunfire. He's as helpless as you and I would be, if caught in a hazardous sitaution like that. That's not all, even Sameera Reddy is minus makeup and as shattered as any woman would be, after being gang-raped.


The characters apart, RED ALERT - THE WAR WITHIN keeps you engrossed in most parts, more so towards its second hour. However, its ending, talking strictly in terms of impact, isn't as strong and impactful as the rest of the film.


RED ALERT - THE WAR WITHIN is director Ananth Narayan Mahadevan's best work to date. It overshadows his previous works and proves that he has genuinely evolved into a fine storyteller. His handling of the difficult subject -- a complete contrast to what he has attempted earlier -- is simply first-rate. Aruna Raje's screenplay is watertight, save for the climax that tends to get predictable. Action scenes [Allan Amin] are as real as real can be. K. Rajkumar's cinematography is top notch. It must've been so tough to shoot this film in dense forests!


Every actor in RED ALERT - THE WAR WITHIN delivers a splendid performance. Suniel Shetty delivers his most sensitive, most amazing performance that can easily be called his career-best. It makes you realize that there's a reservoir of talent that hasn't been tapped to the optimum. Sameera Reddy is a complete revelation, a complete shocker. She leaves a hammer-strong impact. Like always, Seema Biswas is excellent, while Ayesha Dharkar is supremely efficient. Ashish Vidyarthi is outstanding. Why don't we see more of him these days?


Gulshan Grover leaves a mark. Bhagyashree is effective. Makrand Deshpande underplays his part very well. Zakir Hussain is super. Aditya Lakhia is perfect. Sunil Sinha and Ehsaan Khan are good. Vinod Khanna, in a brief role, and Naseeruddin Shah, in a lone sequence, are superb.


On the whole, RED ALERT - THE WAR WITHIN is a well-made film that portrays realism effectively. It may not lure the audiences in hordes or set the box-office afire, like a typical entertainer generally does. Nonetheless, it will leave a strong, indelible impression on those watching it. Watch it for the sake of encouraging thoughtful, relevant and truly scorching content!

Milenge Milenge

Freshly cooked, piping hot food is savoured instantly. Similarly, a film that radiates freshness catches your eye instantaneously. Conversely, if a film takes a really long time to hit the screens, it generally doesn't find a place in your things-to-do-this-weekend list, unless the word of mouth is electrifying. MILENGE MILENGE suffers for this reason. Even the man on the street knows that it's a dated product!

The gap between the commencement of this film and its eventual release is quite substantial and that's pretty evident when you look at its promos. Especially the way the lead actors look. The camera doesn't lie, right? Perhaps, that's a prime reason why MILENGE MILENGE doesn't propel you to rush to a nearby cineplex and grab a seat, despite the fact that its lead stars are at the prime of their respective careers and enjoy a solid fan-base.

Write your own movie review of Milenge Milenge

But never judge a book by its cover. Sure, you march into the film with zilch expectations, expecting a dated product with a hackneyed plotline, but as the reels begin to unspool, you realize that it does have a story to tell. So what if MILENGE MILENGE borrows from the John Cusack - Kate Beckinsale starrer SERENDIPITY [2001]. The Indianisation by writer Shiraz Ahmed is quite engaging at places.

The 'recipe' for that perfect love story is simple [at least that's what most film-makers believe]: Cast a good looking pair, choose a tried-and-tested story [read, make a mix of EK DUUJE KE LIYE, Q.S.Q.T., MAINE PYAAR KIYA, D.D.L.J., KUCH KUCH HOTA HAI], garnish it with sweet/cute/romantic/delightful situations, add a couple of energetic songs [at least two/three Hit songs are a must] and shoot the muvie at panaromic locales. Presto, prem kahani tayyar ho gayee!

But MILENGE MILENGE has 'kismet' keeping the lovers apart. Imagine a love story where the lovers have already expressed love for each other, but some force beyond their control gets in their way and keeps them apart till the end of the film. The script indulges in bringing its leads together, but also makes sure that they stay far away from each other till minutes before the film is about to conclude. Sure, this thought sounds interesting on paper, but there's a flipside to it. With Facebook, Twitter, Google and also cellphones at one's disposal, is it difficult to trace anyone in today's times? Naah, not anymore!


Final word? MILENGE MILENGE may be dated, but watch it for the chemistry between its lead pair. Perhaps, this JAB WE MET jodi may never team up ever again!


Immy [Shahid Kapoor] and Priya [Kareena Kapoor] meet at a youth festival in Bangkok. Priya is a romantic at heart and expects her life partner to be a teetotaler, a guy who doesn't smoke and also, who doesn't lie. Immy is totally opposite of what Priya wants from her life partner. Their world collides when Immy lays his hands on Priya's personal diary and learns of her likes and dislikes. He poses as her dream mate by giving her a totally different picture of himself.


While preparing to return to Delhi, Priya discovers the copy of her diary in Immy's room. She realizes that Immy has made a fool of her and decides to confront him. In the meantime, Immy confides in his friends that although he has cheated Priya, he is truly in love with her. But Priya appears in front of him and all hell breaks loose. She decides to end the relationship.


Immy tries to regain her trust by telling her that they are destined to be together. Priya decides that if it is destined that they be together, then they will find each other in Delhi again, although both do not know each other's whereabouts in Delhi. Three years later, Immy returns from abroad, while Priya is now settled in Mumbai. Immy is engaged to a family friend's daughter [Aarti Chhabria], while Priya has also moved on in life. She is in a relationship with a pop singer.


Both of them are about to be married, but after all these years, they still have this nagging feeling that the other was his/her true love. Of course, fate conspires to bring them back together [after several near misses] as they simultaneously undertake one last attempt to find one another just before they get married to someone else.


MILENGE MILENGE starts off like one of those countless love stories, with mandatory songs and lovey-dovey scenes aplenty, but the twist minutes before the interval is so well executed that it suddenly raises the bar of the film. Naturally then, you expect the post-interval portions to charter a new path.


The second half has its share of engaging moments, but, very frankly, it tends to get repetitive and melodramatic as well. The entire track of a particular Rs. 50 currency note and the book with Kareena's name and phone number on it, although novel, hasn't been portrayed too effectively. Even the finale -- when Shahid reaches out to Kareena -- isn't convincing. Like I pointed out earlier, what binds the film together is the chemistry between the lead pair and a few charming moments.


Satish Kaushik's handling of a few sequences is commendable. Himesh Reshammiya's musical score is quite good. 'Kuch To Baaki Hai' and the title track are good compositions. Cinematography is okay.


Both Shahid and Kareena play the hopeless romantics to the hilt. Their [then] off screen chemistry comes across very well on screen. Although the film was shot several years ago and Shahid looks boyish all through, his performance is consistent and believable. Kareena is equally convincing. Aarti Chhabria has nothing to do. Delnaaz Paul [Kareena's friend] and Sarfaraz Khan [Shahid's friend] get ample scope and are noticeable. Satish Shah is hardly funny. Kirron Kher sparkles in a brief role. Himani Shivpuri is wasted.


On the whole, MILENGE MILENGE has the charismatic lead pair, who are very popular with the youth, as its USP. But the problem is its dated look. Having taken a long time to reach the theatres, it will have to rely on a solid word of mouth to lure the audiences into cineplexes. Business-wise, there's some hope in the Hindi belt, where traditional love stories and melodrama are accepted.

Milenge Milenge

Freshly cooked, piping hot food is savoured instantly. Similarly, a film that radiates freshness catches your eye instantaneously. Conversely, if a film takes a really long time to hit the screens, it generally doesn't find a place in your things-to-do-this-weekend list, unless the word of mouth is electrifying. MILENGE MILENGE suffers for this reason. Even the man on the street knows that it's a dated product!

The gap between the commencement of this film and its eventual release is quite substantial and that's pretty evident when you look at its promos. Especially the way the lead actors look. The camera doesn't lie, right? Perhaps, that's a prime reason why MILENGE MILENGE doesn't propel you to rush to a nearby cineplex and grab a seat, despite the fact that its lead stars are at the prime of their respective careers and enjoy a solid fan-base.

Write your own movie review of Milenge Milenge

But never judge a book by its cover. Sure, you march into the film with zilch expectations, expecting a dated product with a hackneyed plotline, but as the reels begin to unspool, you realize that it does have a story to tell. So what if MILENGE MILENGE borrows from the John Cusack - Kate Beckinsale starrer SERENDIPITY [2001]. The Indianisation by writer Shiraz Ahmed is quite engaging at places.

The 'recipe' for that perfect love story is simple [at least that's what most film-makers believe]: Cast a good looking pair, choose a tried-and-tested story [read, make a mix of EK DUUJE KE LIYE, Q.S.Q.T., MAINE PYAAR KIYA, D.D.L.J., KUCH KUCH HOTA HAI], garnish it with sweet/cute/romantic/delightful situations, add a couple of energetic songs [at least two/three Hit songs are a must] and shoot the muvie at panaromic locales. Presto, prem kahani tayyar ho gayee!

But MILENGE MILENGE has 'kismet' keeping the lovers apart. Imagine a love story where the lovers have already expressed love for each other, but some force beyond their control gets in their way and keeps them apart till the end of the film. The script indulges in bringing its leads together, but also makes sure that they stay far away from each other till minutes before the film is about to conclude. Sure, this thought sounds interesting on paper, but there's a flipside to it. With Facebook, Twitter, Google and also cellphones at one's disposal, is it difficult to trace anyone in today's times? Naah, not anymore!


Final word? MILENGE MILENGE may be dated, but watch it for the chemistry between its lead pair. Perhaps, this JAB WE MET jodi may never team up ever again!


Immy [Shahid Kapoor] and Priya [Kareena Kapoor] meet at a youth festival in Bangkok. Priya is a romantic at heart and expects her life partner to be a teetotaler, a guy who doesn't smoke and also, who doesn't lie. Immy is totally opposite of what Priya wants from her life partner. Their world collides when Immy lays his hands on Priya's personal diary and learns of her likes and dislikes. He poses as her dream mate by giving her a totally different picture of himself.


While preparing to return to Delhi, Priya discovers the copy of her diary in Immy's room. She realizes that Immy has made a fool of her and decides to confront him. In the meantime, Immy confides in his friends that although he has cheated Priya, he is truly in love with her. But Priya appears in front of him and all hell breaks loose. She decides to end the relationship.


Immy tries to regain her trust by telling her that they are destined to be together. Priya decides that if it is destined that they be together, then they will find each other in Delhi again, although both do not know each other's whereabouts in Delhi. Three years later, Immy returns from abroad, while Priya is now settled in Mumbai. Immy is engaged to a family friend's daughter [Aarti Chhabria], while Priya has also moved on in life. She is in a relationship with a pop singer.


Both of them are about to be married, but after all these years, they still have this nagging feeling that the other was his/her true love. Of course, fate conspires to bring them back together [after several near misses] as they simultaneously undertake one last attempt to find one another just before they get married to someone else.


MILENGE MILENGE starts off like one of those countless love stories, with mandatory songs and lovey-dovey scenes aplenty, but the twist minutes before the interval is so well executed that it suddenly raises the bar of the film. Naturally then, you expect the post-interval portions to charter a new path.


The second half has its share of engaging moments, but, very frankly, it tends to get repetitive and melodramatic as well. The entire track of a particular Rs. 50 currency note and the book with Kareena's name and phone number on it, although novel, hasn't been portrayed too effectively. Even the finale -- when Shahid reaches out to Kareena -- isn't convincing. Like I pointed out earlier, what binds the film together is the chemistry between the lead pair and a few charming moments.


Satish Kaushik's handling of a few sequences is commendable. Himesh Reshammiya's musical score is quite good. 'Kuch To Baaki Hai' and the title track are good compositions. Cinematography is okay.


Both Shahid and Kareena play the hopeless romantics to the hilt. Their [then] off screen chemistry comes across very well on screen. Although the film was shot several years ago and Shahid looks boyish all through, his performance is consistent and believable. Kareena is equally convincing. Aarti Chhabria has nothing to do. Delnaaz Paul [Kareena's friend] and Sarfaraz Khan [Shahid's friend] get ample scope and are noticeable. Satish Shah is hardly funny. Kirron Kher sparkles in a brief role. Himani Shivpuri is wasted.


On the whole, MILENGE MILENGE has the charismatic lead pair, who are very popular with the youth, as its USP. But the problem is its dated look. Having taken a long time to reach the theatres, it will have to rely on a solid word of mouth to lure the audiences into cineplexes. Business-wise, there's some hope in the Hindi belt, where traditional love stories and melodrama are accepted.

We Are Family

Maya Kajol is the perfect mother. Her life revolves around her three childerens, Aleya ( Aachal Munjal ), Ankush ( Nominath Ginsberg ), and Anjali ( Diya Sonecha ). Who thinks nothing much then the world of her. Despite being divorced from her husband, Aman ( Arjun Rampal ). Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit. However, when Aman introduces his girlfriend, Shreya ( Kareena Kapoor ) a career oriented woman, who has a lot to learn about children's, to the family, the situation immediately takes an unexpected turn. When an incident changes their lives drastically, bringing the two women under the same roof, they find themselves putting to test an unusual situation; can two mothers make a home?

We Are Family

Maya Kajol is the perfect mother. Her life revolves around her three childerens, Aleya ( Aachal Munjal ), Ankush ( Nominath Ginsberg ), and Anjali ( Diya Sonecha ). Who thinks nothing much then the world of her. Despite being divorced from her husband, Aman ( Arjun Rampal ). Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit. However, when Aman introduces his girlfriend, Shreya ( Kareena Kapoor ) a career oriented woman, who has a lot to learn about children's, to the family, the situation immediately takes an unexpected turn. When an incident changes their lives drastically, bringing the two women under the same roof, they find themselves putting to test an unusual situation; can two mothers make a home?

Life Express

The movie 'Life Express' is the story about an urbanized couple Tanvi (Rituparna Sengupta) and Nikhil (Kiran Janjani), whose life's pace revolves around their respective careers so much so, that they have no time to spend with each other or start a family. The film is also the story of Mohan (Yashpal Sharma) and Gauri (Divya Dutta) who live far away from the daily hustle and bustle of big city and are leading a poverty ridden life in a village and the challenges they face in their day-to-day life. The film deals with motherhood, love, aspirations and priorities individuals make in their lives, touching upon major societal issues, solutions and trading of human emotions for personal benefits.

Life Express

The movie 'Life Express' is the story about an urbanized couple Tanvi (Rituparna Sengupta) and Nikhil (Kiran Janjani), whose life's pace revolves around their respective careers so much so, that they have no time to spend with each other or start a family. The film is also the story of Mohan (Yashpal Sharma) and Gauri (Divya Dutta) who live far away from the daily hustle and bustle of big city and are leading a poverty ridden life in a village and the challenges they face in their day-to-day life. The film deals with motherhood, love, aspirations and priorities individuals make in their lives, touching upon major societal issues, solutions and trading of human emotions for personal benefits.